I didn’t watch a J-drama for the longest time. The last J-series I completed was Proposal Daisakusen back in 2006. I am, after all, more of an anime and K-drama fan than a J-drama fan. I was intrigued, however, by the poster of this series. It was such a teaser. It hadn’t been anything deep as I didn’t look what Subete ga F ni Naru was about: I just knew I was going to give it a chance, and was going to watch its first few episodes.
I admit, the teaser was what hooked me.
Since I started working and had gone back to playing DotA 2, I forgot about this series until about a week ago. When I looked up the upcoming series for Noitamina (one of the best anime blocks ever), I saw F as an upcoming series. I then recalled about the drama, and decided to watch its first episode.
True to my intuitive side, I was hooked. The initial interview of a cute Emi Takei (of Rurouni Kenshin) towards a seemingly intelligent and twisted doctor was a bit out-of-place, but was entertaining enough. When the two leads started investigating the first case, I knew I was going to love this series.
When I was younger, I read most of the stories in a short story collection. One of them featured Jacques Futrelle’s The Problem of Cell 13. The story had impressed me a lot that I would often appreciate media featuring locked-room mysteries. Even before Cell 13, I had already read most of Poe’s Dupin mysteries, including The Murders at the Rue Morgue. I was attracted to the cases and their resolution as well, so it was no surprise when I was impressed at how the first case constructed the locked-room murder.
Two colleagues who were about to get married were found murdered in the middle of an experiment, and a locked room mystery was revealed. Like most good cases, there were quite a few red herrings, and the culprits weren’t whom I had expected. It was a good case, with a good resolution.
The second case, however, was more impressive. It was an even simpler locked room, with only one room and no other way to exit or enter. The resolution, however, was a bit more elegant. I was able to narrow down the culprits to two suspects, and I was right with my hunch. How the locked room was created, however, and how the murder weapon was conceived was a lot more creative than the first case.
I also welcomed the interplay between the two major characters, because the lady, despite being intelligent, has an obvious crush on the even more intelligent professor. Both of them have a history, and while the professor cares for the lady, it remains to be seen whether he will realize his emotions by the end of the series. (When Moe solved the difficult math problem mentally, I knew I would have a hard time letting go. Intelligent heroines do me in.)
Some drawbacks of the series include the cheesy multiple-personality synthesis of facts by Professor Saikawa in his resolution of the case, and the occasionally saccharine desire of Moe to be, at least, tended to by her professor. Other than that, the construction of the cases were very well-thought of. The high incidence of suicide among the cases also offer more color to the series, leading to the difficulty of actually guessing the culprits. To be fair to the series, however, careful, analytical viewing leads to results: at the very least, it will help remove the red herrings of the series. Since I didn’t pursue a major in Physics, the science is sometimes beyond me, although I was quite impressed with how the weapon in the second case was constructed.
Fans of quirky detective cases with colorful main characters will probably like this show. I like this show doubly because there is an undercurrent of romance present. As with my favorite anime series, I love shows that have romance as a focus, yet the romance is not its sole focus. That was the case with The Tatami Galaxy, illustrating a bildungsroman with a romance; that was also the case with Steins;Gate, being a science-fiction story with a romance as well.
I hope you guys could give it a shot.