I’ve been more productive as regards my blogging lately because we had a short, two-week break from class. In that span of time, I read four books, watched some Korean drama series, and watched Steins;Gate, in addition to some episodes of American serials. I think I have been quite productive. I am behind my anime, however, that I still hadn’t finished Ano Hana until today. I realized that I truly preferred [C] to the drama in Ano Hana despite the fact that Ano Hana is the better anime in terms of its technical aspects and tightly-wound story. That’s probably because I’ve been accustomed and conditioned to the plots found in Korean dramas, and the best among them (like My Girlfriend is a Nine-Tailed Fox) more seamlessly integrate the supernatural to mundane problems such as love and romance. I’m not saying that Ano Hana is terrible or bad: I’m just saying that I find [C] to be a more original series despite Ano Hana’s excellence.
I think what made me jaded with regard to Ano Hana’s last episodes were the fact that the most well-rated Korean dramas were just a lot more evocative, and these were what I was watching for the past few weeks that when I saw the last episode, I was laughing instead of being in tears when they confided in one another that they had their own selfish reasons for wishing that Menma would go to heaven. In addition to the emotional dramas I’ve seen, I was also finishing up on Saturnalia, which is a collection of excerpts from classic perverse masterpieces. Perhaps that was the reason why I wasn’t affected as I should have been: after reading excerpts featuring the coprolalia of Sade and the perversions of Li Yu, Swinburne and von Sacher-Masoch, romance probably tends to be funny instead of affective.
But in all honesty, the ending just didn’t affect me as much as I wanted. Despite being disappointed with the ending of [C], it attempted to make sense out of its limited time and budget, and did it valiantly despite a multitude of flaws. Ano Hana’s ending wasn’t really flawed: it was just beyond the melodrama that I expected, although I still wouldn’t classify it as bathetic. I’m glad Menma was finally able to go to heaven, don’t get me wrong, but the ending was indeed a wake-up call: I recall that Honey and Clover‘s ending had Takemoto confess to Hagu after he had found himself through touring Japan in a bicycle. I didn’t think that was melodramatic: in fact, the way he confessed to her seemed so natural to me. It was what he simply wanted to say after realizing that he liked her, after all. This was in stark contrast with the saturnalia of tears and crying in the final episode of Ano Hana: I thought that it was a bit overdone.
The series was still a decent show, however, but I stand corrected in even comparing it to Honey and Clover. What did you guys think of Ano Hana?