Archive for the ‘Steins;Gate’ Category

Steins;Gate: Fuka Ryouiki no Deja Vu : time-travel STILL done right

Saturday, July 11th, 2015

I was in third year of medical school when I first watched Steins;Gate. I recall being delayed with watching the TV series: I watched it during the December prior to my clerkship period.

I'm sorry, just being one of the great anime films of all time.

I’m sorry, just being one of the great anime films of all time.

To be honest, I had many doubts with the series. I have experience that the popular series are most often not critically good. I wasn’t impressed with the first few episodes, however. It all changed during the sixth episode, however, when the series became more and more intriguing. Like a freight train going at full speed, either, it never stopped. It became better and better.

It was late in the series when I realized that I had been watching one of the best series I had ever seen. It was extremely rare that I’d root for the primary couple in any show: whenever that occurred, it would most likely be a very good series as the two protagonists are well-fleshed out. That was the case with The Tatami Galaxy. It was also the case with Cross Game. Steins;Gate was no different.

Okabe took some time to grow on me, but I fell in love with Kurisu the moment she appeared in the series. I’m a sapiosexual, and she was special among anime heroines in that she was very intelligent. When she finally bared all her feelings toward Okabe during the 22nd episode, I knew I had been watching something brilliant. That kiss was scintillating, and despite being bittersweet, it simply congealed the unspoken feelings between the two. She was also heroic in that she was willing to part with him so long as he could save the two people most important to him: on the other hand, Okabe was willing to say goodbye to the world line that had Kurisu fall in love with him. He instead decided to live in a world where despite the fact that Kurisu doesn’t know him, she and Mayushii both live. This world is known as Steins;Gate.

I’d forgotten about Steins;Gate when I started my fourth year in medical school. I forgot about anime altogether. The final years of becoming a medical doctor is never easy anywhere, and I wasn’t an exception. Although I’d still sporadically watch anime series, I forgot about Steins;Gate until a month ago.

It was then that I discovered that the Steins;Gate franchise had released a movie. I let the movie percolate in my computer for about a month, only watching it a few days ago.

After watching the movie, I had re-awakened my love for the franchise. It was just as brilliant as the series, because the movie finally showed the perspective of the other half of the main duo: it showed Kurisu’s perspective. Despite the fact that the Kurisu in the Steins;Gate world line wasn’t familiar with all of Okabe’s sacrifices for her, feelings cross the disparate lines and manifest as deja vu. In short, the other Kurisu’s feelings reverberate through the Steins;Gate world line, and she still has strong feelings for Okabe.

The movie, similar to the series, gradually reveals the depth and gravity of her emotions toward him. She only comes to realize how she truly feels toward him, even in Steins;Gate’s world line, when no one else remembers him except her. She was the very first one to palpably feel his loss, and she was also the one who actively sought him. As if forming a complete circle, she also felt how he had felt after losing him to an accident during one of her time-skips.

To make him remember everyone, and where he belongs, she had also given him his first kiss. This ties into Okabe giving him her first kiss in the original series. Akin to the circular flow of Finnegans Wake, their feelings and love recirculated toward one another, saving the both of them.

It’s an absolutely brilliant movie from an absolutely coruscating series. I highly recommend this film if one’s a fan of the series already.

Madoka: of temporal recursions and noble hearts

Sunday, February 12th, 2012

It would probably take me a dozen posts and perhaps some tens of thousands of words were I to try and dissect the entire Madoka series. It is a series rife not only with symbolism, but also with meaning that to try and encompass it to a single post would be a sacrilege and a disrespect to its greatness. Other pundits of anime have also spoken volubly on it that I have no desire to reiterate what a lot of them have already said.

I have been almost three years removed from any meaningful study of philosophy or literature that I cannot write intelligently about literary theories any longer. I have also never properly tackled the concept of deconstruction so I cannot give any rational comment on Derrida and Foucault. As much as I would like to analyze the series in those lenses, I have been inundated with only medicine these past few years. Instead, I would like to merely recall and expound on certain points that have resonated within me as I was watching the series.

From a helpless girl who was always saved ...

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Stephen Hero and the pitfalls of heartless brilliance

Thursday, November 3rd, 2011

After seven pages of drafts from my notebook, I decided to scratch all those and just write. After all, this isn’t a literary publication or a research paper: it’s just a place to share my insights and reflections on different objects or people in my life.

James Joyce has been an intermittent topic in this blog. I was introduced to him during my first year of university, in my literature class. We were then tasked to read and analyze ‘The Boarding House.’ Truth be told, I wasn’t too impressed with the story: it was only later when I found out that he had authored two of the top five novels in the 20th century as ranked by critics and editors. It was during this time that my madness for Joyce began: what else could it be called, really? In today’s world, would any young adult willingly dare to read his later works without being a little mad himself?

I have no regrets whatsoever, because reading ALL of his major works gives me the privilege to lambast his works without any hypocrisy. I did read them, after all, so I’m free to hate on them. This is not to say that I think Joyce was talentless as a writer: in fact, I think he remains to be brilliant. Many critics regard Dubliners to be one of the greatest short story collections ever written, and I’m wont to agree with them: ‘The Dead’ alone can make up for the rest of the collection, but the other stories are no pushovers. ‘Araby’ is a great coming-of-age tale, and ‘The Boarding House’ wasn’t too shabby.

Portrait of an Artist as a Young Man was also quite good. It wasn’t exactly my cup of tea, but it belongs to the category of books I have read more than once, so I have much respect for it. My respect for Joyce has increased after I finished re-reading Stephen Hero: before Portrait came to be, it had Stephen Hero as its predecessor. Instead of the stream-of-consciousness writing that Joyce started to apply in Portrait, Stephen Hero was written linearly, and more formally. Despite being an apocrypha, it does still remain part of his major prose works; in actuality, I prefer it to the rest. While SH is more languid than the leaner Portrait, it explicates upon the philosophy that encompassed Joyce’s life. Because Dublin could not accept him, he had to follow silence, exile, and unbelief. Instead of focusing on the characters, SH focused on the progression of ideas within the plot, and I liked that.

I liked that because it posited questions more directly, and a lot of these were quite thought-provoking. Why, indeed, would Christ be tempted to be the ruler in a kingdom of idiots? I’m just saddened at how his later works turned out, because I frankly believe Joyce could have been universally celebrated. Had he instead focused on writing intriguing and potent stories without relying on gimmickry and the invention of a new language only he could understand, he would be more respected. As it stands most contemporary critics mock his Finnegans Wake: yes, I think it’s utter shit, too.

I think works in general, after all, are only brilliant when they possess some heart in them. Tatami Galaxy was a kaleidoscope of ideas, but it was all about finding oneself despite being thrown into an unwelcoming world; Steins;Gate was, beyond all the science and physics, ultimately a series about filial piety and love. Had S;G been all about physics, I doubt it would have maintained the attention of its viewers until its final episode. It was more about sacrifice for the ones you love and care for.

What would the use of coalescing the languages of the world be if no one understood what you were writing? What would be the use of being so brilliant and yet ultimately soulless? Soullessness, after all, was Joyce’s fatal flaw. His stories had heart prior to Finnegans Wake, although they had become lesser and lesser as he got older. This is an example series should follow: it’s all right to be technically mediocre. Maison Ikkoku was indeed that. It’s a lot more important to tell a story that appeals to the soul of people: the rest will ultimately follow.

The best of anime: non-linear narratives in Steins;Gate and Tatami Galaxy

Monday, October 31st, 2011

Before I start with the article proper, shout-out goes to Conor, Angelus, and Ryan A for sticking with me even though I haven’t been updating much lately. I really appreciate your reading my posts, Conor. I’m downloading Madoka next, Angelus.

One of my earliest introductions to classic literature was Poe’s ‘Casque of Amontillado.’ My father badgered me into reading it, and I obeyed in due time. I’m glad I obeyed, because I started reading good literature at an age significantly earlier than my contemporaries. I was about 10 during that time. When I was 11, I decided to read more of Poe’s works, because I liked the horror stories he wrote. To my surprise, however, I discovered that he also wrote detective stories and was arguably the first auteur of modern detective stories. I had heard of Sherlock Holmes, but the detective that introduced me to the mystery story was clearly Auguste Dupin in The Murders of the Rue Morgue.

Although I moved away from mystery stories and focused on realistic classics, I have never stopped appreciating the sophistication and the apollonian artistry found in the detective story. In fact, through the years I find that the classics I end up liking the most have significant elements of a detective story: there is the initial confusion and obfuscation, followed by piecemeal plot development that culminates in the story fitting everything together beautifully in the end. I certainly think this can be said about Faulkner’s Absalom, Absalom! and Bely’s Petersburg: while the stories are extremely jarring and disorientating early on, the pieces of the puzzle slowly fit into the big picture. When the big picture is finally seen, the scenery is explosive, moving, and cathartic.

They're so destined for one another, the space between their kiss forms a heart.

I think it’s not coincidental that the two works are also recognized to be challenging works of literature precisely because of the novels’ method of narration. Temporal shifts occur without warning, and the reader is left to figure things out with few guides. The non-linear technique further makes things difficult: much effort has to be expended to understand the flux of the plot, but there is also much reward when one figures it out, as behind the confusion lies a truly potent story.

This is where the beauty of Steins;Gate lies in, as well. I’m actually reminded of one of my most favorite series, Tatami Galaxy. And yes, while eyes of some readers are rolling, one can’t help but admit of the similarities with its methods of narration: both tell the story non-linearly, with highly intelligent and kind female deuteragonists, and initially conceited but ultimately endearing protagonists. There is the Groundhog Day rewinds found in both series, as well. Although there wasn’t a physical establishment of a time machine in Tatami Galaxy, both series tackled the immutable and tragic alternate realities suffered through by its protagonists while seeking for a solution to their pressing problems. Tatami Galaxy was simply more of a series of internal catharsis than Steins;Gate: it focused on self-transcendence and self-realization more than it did on the concept of transcendent filial and romantic love in S;G.

Steins;Gate, given that it had more time for explication, was more patient and deliberate than Tatami Galaxy. It was afforded more time in the development of its world than Tatami Galaxy: I simply prefer the primacy and immediacy of Tatami Galaxy, however; but I do admit that the execution and finesse of Steins;Gate is at the apex of anime series.

The central reason why I think quite highly of both these series, however, lies in the fact that these two execute their stories with such intelligence and sophistication without pandering to its viewers. Tatami Galaxy is the more brusque, artistic entity, whereas Steins;Gate is the more refined, aristocratic one. I prefer the rawness of Tatami Galaxy particularly because its roughness allows more interpretation within established limits: it’s more secretive and mystical than the polished, structured glamor found within Steins;Gate. It simply takes a certain kind of prescience and artistry to properly map out a series so beautifully and so accurately that everything coalesces at the end of it all. It takes even more to execute this beautifully, and both series have done so majestically without foregoing of the emotional drive that is pivotal to any series’s success.

Physics and Steins;Gate: some initial impressions

Thursday, October 27th, 2011

At first glance, people may be very mistaken about Steins;Gate. After all, it has a 3:1 ratio of ladies to men (considering that Ruka’s actuations are heavily feminine despite her sex). I’ve been among those people who have prejudged the series to be little more than fluff, as I have read about what happened to Chaos;Head. I didn’t expect anything, and I still don’t, despite countless reviews and ratings probably proving me otherwise.

I have to see and adjudge for myself before jumping to conclusions, after all. I knew it was something quite palpably good even when I followed its earlier episodes as they aired because they held the technical aspects of the show in high accord. While the physics is of course, lacking, what was presented in the show was not incorrect, at least based on my previous physics subjects. Time travel is, at this point, a parascience rather than a true science, and Kurisu’s objections were not unfounded.

Yes, please be my professor.

I may be wrong, however, seeing that it’s been years since my last physics subject. Credit must, however, be given to the show because of its attention to detail: case in point would be the possibility of time travel is black holes could be synthesized at will. While I can’t present the specific publication, I have read about that in the past. The problem with this hypothesis is that, of course, black holes can’t be made perfunctorily: they can’t be made from out of the blue. It’s these small things that heighten my enjoyment of the show alongside the highly attractive Kurisu Makise.

I was also impressed with the commentary of Titor (and seemingly the enactment of time travel in the series) on how people could actually meet themselves in the past because the one coming from the future is actually on a different world line. It somehow reminded me of the Schrodinger’s Cat phenomenon, that one can never really know whether the cat is alive or dead in the different universes unless one opens the sealed pillbox. Since I’m not knowledgeable at quantum physics, I hope people can explain this idea to me.

On a tangential note, I loved the idea of time-travel that The Prestige held: there was something symbolic in Hugh Jackman’s character killing his clone just to execute his trick well. His teleportation came at the cost of his soul.

I may write about characters who have situations oddly similar to Okarin’s. Seeing that I’m just in the earlier parts, that will have to wait until later on. 🙂

Who’s your type?

Wednesday, October 26th, 2011

I wonder why I haven’t restarted Steins;Gate. I know it’s good, at least from what I’ve seen, and thousands of people probably have seen something good to praise the series so avidly, even going so far as naming it as truly the best of the year. I’m actually troubled because I don’t know whether to restart it, seeing as it’s been months since I’ve last seen an episode of it, or just to continue it and recall as time passes. I’m leaning toward the former, however, as it’s better to have a more solid grasp of the matter especially with series so full of information as Steins;Gate.

I have this problem with anime. It’s so hard for me to start one if I’ve stopped watching, but it’s also so hard for me to stop once I’ve started. I watched Cross Game in a span of three days in medical school, no less, so after I did my assignments I just blazed through the night, slept through the classes, and continued this for two days more. I have no doubt that S;G is going to be good, because I just had that feeling during the summer break when I was watching the aired episodes. I couldn’t continue because I had already watched everything to be seen during that week, and just put that on the back of my mind when class started the following week. It didn’t help that I busied myself with a lady, as well. 😛

Oh well – that’s all in the past now. I really just want to watch Steins;Gate because of Kurisu, as intelligent, nice, and attractive ladies turn me on in any medium. I guess that was the reason why The Return of the Native was so memorable for me; it’s also probably the reason why I’m magnetized to heroines like Jean Grey. I find myself attracted to ladies who do not make themselves up or wish to attract attention to themselves, but who are smart and most definitely beautiful in their subtility. That may be quite a bad reason to start (or restart) watching a series, but I’ve stumbled on some gems because of that.

And yes, Akashi-san is totally my type: she’s an intelligent student of Engineering who’s quietly caring for Watashi. She’s also very attractive. So who’s your type?